The Times Of India
BOMBAY TIMES
March 16, 2002
In Visual Jugalbandi, Partho brings a refreshing viewing -  a pin-hole camera, spatial displacement and optical illusion of irrepressible Mumbai in everyday life

Bhowmick's brand of poetry, is delicate sensibility and at its best evokes a strange, through-the looking-glass world

The Asian Age
THE MUMBAI AGE
March 13, 2002
They are buildings you pass by every day, scenes you encounter every time you pass by.  And yet look at them a little differently in  a reflection and you suddenly have different world.....Two images captured as one in Visual Jugalbandi leaving one wondering which is the real.
  
 
ATERNOON
March 09, 2002
He always wanted to reflect Mumbai accurately, and he's done it enough to have made his muse proud.

  
 
The Indian Express
MUMBAI 
NEWS LINE

March 06, 2002
"I had to stand at a peculiar angle to make sure that my own image was not reflected"  there is one frame, however where the artist chooses to show a glimmer of himself

"I felt a need to state my presence, as it would give a context to my acts of photographing images in a post-modern world"


  
 
MID DAY
March 06, 2002
Through Visual Jugalbandi, one looks at Mumbai from a different angle, and as a viewer you might find hidden meanings to unravel in these two-fold photographs.

  
 
The Asian Age
THE AGE ON SUNDAY
Sept 15, 2000
....... something that makes you believe that for him photography is more intuitive then anything else.

"Photography is very instinctive for me.  I have always been driven by art first".

 


 


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